A few thoughs on context and content
Labels: archival context, eac-cpf, ead, linked data
Labels: archival context, eac-cpf, ead, linked data
Labels: archival management, archival systems, ead
The Archives Hub has been putting itself about a bit over the past couple of years...by which I mean that we are becoming distributed. We have around 150 contributors, who provide us with their archive descriptions, and through the medium of EAD and our search and retrieval software, Cheshire, we make these available for cross-searching.
The role of the Archives Hub is to facilitate dissemination of information and therefore promote use of archives as widely as possible to enhance all kinds of research. But at the same time we have sought to be transparent in what we do and how we do it, and we have always emphasised that the data belongs to the contributors. What we don't want them to feel is that once they pass their descriptions on to us that is pretty much that...it's out of their hands. We like to think that we've avoided this by continuing to maintain personal contact with contributors, providing news and updates, being generally approachable...and sending out mugs and fun Christmas cards!
I find the whole issue of control very interesting. There are so many levels on which we can think about it now - the control of archive descriptions, the control of archives (getting into issues of preservation vs. access), the control that can come from understanding technology, and how far archivists have to understand technology in this day and age in order to have control, and also the issue of control with the advent of 'Web 2.0' and user-generated content.
What we want to do is facilitate contributors having responsibility for their data, and one way of doing this is to enable them to host their own data and administer it themselves. As well as providing them with the software to do this, they can create their own web interface and give it a look and feel that they are happy with. This means that researchers (and archivists) still have the advantages of the Archives Hub as a central cross-searching facility as well as the means to search just the descriptions of one repository.
We will be moving to a new version of our software soon (Cheshire 3) and this will be particularly well suited to this distributed environment. However, that doesn't mean that we will be pressing all of our contributors to set up their own server - we are still more than happy to host their data here at Manchester, and they have the added advantage of a data editor to check their descriptions and provide advice and support (which we are happy to do for the distributed contributors as well). But whether the data is here or held by the contributor, we want to continue to act as a facilitator rather than a controller.
I do wonder whether it is useful to talk about control of the data anyway - I think that we are moving towards a scenario where the movement of data will become more fluid, and we will want to provide access in more flexible ways. Maybe 'control' really means the ability to ensure that the archival descriptions are accurate and reliable - which generally relies upon the authority of the archivist - rather than implying that the channels of dissemination must be limited. What we want is one authoritative version of the description with any number of ways to actually get that information to the people out there.
Image: from Flickr courtesy of Telstar LogisticsLabels: data ownership, dissemination, distributed, ead
I've just come across the Smithsonian Archives of American Art online collections. This is a wonderful source, with all the archives digitised and available to view. The navigation available on the site is great, with an image viewer allowing the user to scroll through images, enlarge them and navigate through the folders. It seems to me to be a very well designed site, with a clear information architecture enabling the user to drill down to different levels and get a good sense of exactly where they are. I like the way that they have used the mix of text, photographs and drawings. The site is not perfect though - it does fall down on the use of XHTML, which is not valid. I suspect that the Smithsonian have rather more resources available for this sort of project than many of us are lucky enough to get (although the project did receive external funding from the Terra Foundation for American Art).
I was particularly interested in this site because it uses EAD, so it is a great example of the way EAD descriptions can be re-purposed. Whilst for many of us, simple EAD descriptions are all that we have the time and resources to create at present, this shows how using EAD means that we retain the flexibility to create more ambitious sites in the future.
If you go to the 'finding aid' link you can see the more traditional EAD description.
Image from the Smithsonian Archives of American Art website, under fair use (for non-commercial purposes).
Labels: archives online, ead
Here's a dull announcement livened up by another photo of the Woodcraft Folk: the latest version of the Data Creation Guidelines for the Archives Hub is now online.
Illustration: Woodcraft Folk, 1920s, photo copyright © the National Co-operative Archive.Labels: cataloguing, ead
The Archives Hub is holding a training day for contributors and potential contributors on Tuesday 25 September here at the University of Manchester.
The day is free and will run from 10.30 to 16.00 with a free lunch provided.
This is a great opportunity for anyone who would like to know more about EAD and about creating descriptions and indexing entries for the Hub. If you would like to attend please email us.
Illustration: Woodcraft Folk photo copyright © National Co-operative Archive.Labels: collections of the month, ead, training
In yesterday's keynote at the International Standards for Digital Archives conference Bill Stockting took a retrospective look at the development and methodolgy of the A2A programme led by The National Archives (TNA) in the UK. A2A (Access to Archives) £4,000,000 from the Heritage Lottery Fund (HLF) since its inception in 2000. This money has been awarded to a wide range of content-creation projects in England, creating a database of over 100,000 EAD files, containing over 1,000,000 units of archival description between them.
Bill went on to explain that the current phase of A2A (known as Access 4 All) would be the final content creation phase for the programme. This phase ends in March 2008 and Bill explained that the data would be transferred to another TNA system. Options for the future maintenance of the data are currently being investigated.
The changing priorities of TNA itself and the main funding agency (HLF) were two of the reasons given by Bill for this change. It has become increasingly difficult for repositories to get funding for simple retroconversion projects from HLF in recent years. Bill also noted that many repositories are now actively converting their paper-based finding aids into electronic format themselves, so there was less of a requirement for a central team to co-ordinate such work. My concern is that it might become more difficult to update existing A2A descriptions and to add new ones as a result of this decision. The information in the database may then become increasingly divergent from the versions of the finding aids that are held in the repositories themselves and that the staff in those archives are continuing to improve and build upon.
Stefano Vitali was the next speaker. He demonstrated the use of EAC and EAD in the online guide to the State Archives of Florence. The interface was impressive. One area that bothers me slightly about separating out the authority file information from the EAD is that it might become confusing to novice users. One moment you're looking at a collection description, with its own internal navigation, then if you follow a link to a separate authority file, you find yourself in a different record. This could be confusing for the uninitiated. Perhaps it is better to incorporate elements from both EAD and EAC within one display.
Blanca Desantes Fernández showed us the Censo-Guía de Archivos de España e Iberoamérica. This is a top-level guide to institutions holding material relating to Spain and Latin America. An XML DTD for describing archival institutions was developed for this project: Encoded Archival Guide (EAG). Blanca explained that this is now being taken forward by the International Council of Archives as a new archival standard: International Standard for Institutions with Archival Holdings (ISIAH).
The final session was a panel discussion about a proposed new European gateway to archives. This was interesting. It seems to be a response from European national archivists to The European Library, which is building a union catalogue of holdings of national libraries. The archive gateway's scope seems unclear at present and there does not appear to have been any attempt at establishing whether there is public demand for such a system. A seven-year timescale was mentioned, but no funding has yet been secured and the scope seems potentially limitless. I don't feel that the European archive world has the building blocks in place for such a project yet (unlike the national libraries). But if the project were to focus on making it possible to create those building blocks, then that would be a good place to start. Something like the Spanish project might be a sensible target for an initial project.Labels: ead, events, funding, standards, sustainability
Blogger knows I'm in Germany - the interface is all in German. Neat. And just a teeny bit creepy.
I'm here with Jane at the International Standards for Digital Archives conference. Lots of presentations about EAD, EAC, METS and related standards. I was talking about the Spokes software yesterday (the EAD day). The picture shows the inside of the Umspannwerk Ost restaurant where we had dinner last night. It used to be an electrical substation. The conference venue (the Umweltforum) used to be a church. They're good at recycling here.
Today was all about EAC and METS - Daniel Pitti was one of the speakers giving the background to EAC in the morning. Apparently there have been complaints about the complexity of the standard, so Daniel was asking for more details on this problem, as work is about to start on rebuilding it 'from the ground up'. I enjoyed his closing comment which was along the lines of "it doesn't matter what you do in the privacy of your own repository, but if you're going outside, please dress up in a standard" (or a nice hat, of course).
It made me wonder why the railway company had felt compelled to attach the label. Had commuters been bringing their hairdryers on to the train in the mornings and blow-drying their hair? Or perhaps some entrepreneur had brought an electric kettle on to the train and started selling cups of tea to the other passengers. With a large cup of tea now costing £1.39 from Virgin's on-board shop, perhaps that wouldn't be such a silly idea...Labels: collections of the month, ead
Many Hub contributors have invested in proprietary XML editing software such as XMetaL or Oxygen, but if you haven't yet done so you might be interested in a free program called XML Copy Editor. It comes in Linux and Windows versions and makes it easy to validate EAD files. It's also easy to associate style sheets such as the Hub's so that you can get an impression of how your file will appear in a browser (which makes it a lot easier to proof-read). One feature I particularly liked was the ability to choose which browser to use for this: this is a failing in XMLSpy, which defaults to Internet Explorer (which then always crashes on my machine). I've never worked out how to change it to use Firefox (or any other browser), but it was easy to do that with XML Copy Editor.
Of course you don't get all the functionality of the proprietary systems, but you are prompted as to which tags are valid at any point in the file, and there's a handy special-character insertion menu, so if you don't mind working with EAD tags visible, this looks like a good alternative to the paid-for options.
Picked up from Digitizationblog via the ArchivesBlogs aggregator.Labels: ead
Labels: ead
Jane and I had a great day yesterday in Aberystwyth, training the proto-archivists there in using XML and EAD. We've been given a copy of XMetaL software by Blast Radius for use in these sessions which really helps to give the students a feel for encoding descriptions in EAD.
The trainee archivists were discussing a joke I'd forgotten about:
Where did Noah keep his bees?
In the ark-hives
Got a chance to go beyond the hotel and meeting rooms today and paid a visit to the National Building Museum, which is housed in an amazing building, once the Pension Bureau (paying pensions to men who fought in the American Civil War). The museum's exhibits used a good mixture of archives and artifacts. There was a hands-on part where you could try to build a brick wall using various different brick bonding patterns. Noticed the sign below on my way round the building, which made me think of EAD.

Labels: ead